Using pluraleyes 4 with avid
- USING PLURALEYES 4 WITH AVID HOW TO
- USING PLURALEYES 4 WITH AVID PRO
- USING PLURALEYES 4 WITH AVID SOFTWARE
Once the clip is selected you will right click on the clip. Second, you use either the red or yellow segment tools or alt (option) + click from left to right over the clip with the color that you want to select throughout the timeline. Previously, you would have to move each clip individually using the segment tool (or shift + click a bunch of clips), but now you can select every clip with the same source color at once.įirst, you should (or at least I recommend that you should) enable Source Color in your timeline, but you don’t have to for this to work. Let’s say you have stock footage mixed in with over two hours of shot footage and you want to quickly raise all of the clips onto their own video layer. If you’ve ever had to separate clips onto different video and audio tracks, you will understand the monotony and pain that a lot of assistant editors and conforming editors have to go through.
USING PLURALEYES 4 WITH AVID HOW TO
Up next is my favorite update to Media Composer since I discovered the Select Right and Select Left commands without Filler and how to properly use the extend edit function: selecting clips in the timeline based on source color. The updated layout and optimized menu items seem to be a good fit for me, it will just take a little time to get used to. While I’ve seen some complaints about the menu reorganization and the new Source Browser, I like what Avid has done.
The Source Browser can be found under the Tools menu. It even has a Favorites tab to keep all of the media you access on a regular basis in the same place - a good spot for transition effects, graphics, sound effects and even music cues that you find yourself using a lot.
Nonetheless, it’s a fast way to load media into your Source Monitor without bringing the media into a bin. One thing I found funny is that there was not a default shortcut to open the Source Browser - you have to manually map it. The Source Browser is great because you can always leave it open if you want, or close it and reopen it whenever you want. Simply put, it’s a live access point from within Media Composer where you can either link to media (think AMA) or import media (the traditional way).
USING PLURALEYES 4 WITH AVID PRO
If you have worked in Premiere Pro before then you are basically familiar with what the Source Browser does. Let’s take a look at the new Source Browser first. You can find the read me file for any 8.6.3 related bug fixes and feature updates, including Realtime EQ and Audio Suite Effects. Long story short, I did this review right before 8.6.3 was released so I am sticking to 8.6.1. Even though 8.6.2 was released, it was subsequently pulled down because of a bad installer and replaced by 8.6.3. So how great are the latest updates in Media Composer? Well, I am going to touch on a few that really make our lives as editors easier and more efficient, including the new Source Browser custom-sized project creation Preset Manager Audio Channel Grouping grouping clips by audio waveform and many more.įor simplicity’s sake I won’t be pointing out which update contained exactly what, so let’s just assume that you and I are both talking about 8.6.1. Even with Adobe’s latest update news of Team Projects, I think Avid’s project sharing will remain on top, but don’t get me wrong, I love the competition and believe it’s healthy for the industry in general. Once they fix options, such as the Title Tool, I am sure many others will be in the same boat I am. From the changes that editors have been requesting for years, like the ability to add a new track to the timeline by simply dragging a clip, all the way to selecting all clips with the same source clip color in the timeline (an online editor’s dream - or maybe just mine), Media Composer is definitely heading in the right direction. With Avid Media Composer’s latest updates, including 8.5 and all the way through 8.6.1, we are seeing the true progression of THE gold standard in nonlinear editing software. While Media Composer isn’t updated weekly, it has been picking up steam and has really given its competitors a run for their money.
USING PLURALEYES 4 WITH AVID SOFTWARE
One thing that I have learned over the last decade is that reliable software is worth its weight in gold, and one NLE that has always been reliable in my work is Avid Media Composer. Unfortunately, this didn’t always mean the updates would work. It got to the point where I would see a new codec released on a Monday and by Friday you could edit with it (maybe a slight exaggeration, but pretty close to the truth). At first, I was overjoyed with the frequent updates. It seems that nonlinear editing systems, like Adobe Premiere, Apple FCP X, Lightworks, Vegas and Blackmagic Resolve are being updated almost weekly.